Large disparities in exposure in an image can work perfectly with the absence of color. While post-production can make a huge difference, one tip I would offer for taking better black and white images is looking for contrast out in the world. The tools were designed by a French photographer, Serge Ramelli, who is specializing in urban and landscape photography.These filters combine delicate, grainy, matte, cool tones, natural-looking effects and soft, dramatic and cinematic color mixes. If your black and white images are lacking the impact and punch you were hoping for, it could come down to something as simple as how you are processing them in post. Serge Ramelli presets are impressive effects that turn ordinary pics into masterpieces. Great black and white images usually capture great light, but even when they don't, the right dodging and burning can bring about that drama through contrast. ![]() Sometimes that is texture, sometimes that is depth, but most often, it's contrast. Video blog - Create Color Depth in Landscape photos, by Serge Ramelli. While we have swapped the darkroom for Lightroom, for the most part, the process is strikingly similar.īlack and white images, as a result of lacking color, rely on other aspects to tell a story. Adams saw dodging and burning his images in the darkroom as an art form in itself. Arguably one of the most famous photographers of all time - and certainly one of the most famous landscape photographers of all time - was Ansel Adams, and post-production was central to his brilliant work. What makes a great black and white image, however, can often come down to post-production.Īs Serge Ramelli goes into in this video, post-production has been crucial to black and white images for decades, far pre-dating digital cameras. ![]() Black and white images have been revered in photography since they were the only option and continue to do so today.
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